A Japanese independent game developer is seeking legal recourse regarding substantial missing funds from a recently concluded crowdfunding campaign. The funding platform in question claims the money was “mistakenly wired to a different client,” according to reports.
The acclaimed visual novel, 428: Shibuya Scramble, stands as an early pioneer in the detective gaming genre. Set in Tokyo’s Shibuya ward, it masterfully blends live-action photography with intricate timeline mechanics to weave its compelling crime narrative. Originally launched for the Wii in 2008, it saw a successful release on Steam a decade later, earning “Very Positive” reviews and a dedicated cult following.
Last year, Jiro Ishii, the executive producer behind 428, announced a spiritual successor titled Shibuya Scramble Stories. To bring this new project to life, a crowdfunding campaign was initiated on the Japanese platform Ubgoe. The campaign quickly surpassed its funding goal within the first hour, ultimately raising an impressive 55 million yen (approximately $340,000) by its conclusion.
What appeared to be a straightforward crowdfunding triumph, however, took an unexpected and peculiar turn. In March, news surfaced that Skeleton Crew Studio, the developer of Shibuya Scramble Stories, had declared its intent to pursue legal action. This decision came after Ubgoe reportedly disbursed less than half of the total funds raised. A statement released by Skeleton Crew Studio on X indicated that they had received only 27.75 million yen out of the 55 million yen collected from Ubgoe, which amounts to roughly $170,000.
Further details regarding the perplexing situation were illuminated last week in an interview with Jiro Ishii and his legal counsel, Takahiro Kasagi. Ishii revealed that Ubgoe was contractually obligated to transfer all funds by September 1, 2025, a deadline they failed to meet. Upon contacting Ubgoe the following day, CEO Kazua Okada allegedly informed Ishii that the missing funds had been “mistakenly wired to a different client.”
Following this disclosure, Okada reportedly signed a memorandum, at Ishii’s insistence, promising that Ubgoe would transfer the full outstanding amount by September 16. However, only a fraction of the agreed sum was paid by that date. Ishii states that Okada attributed this delay to the mistaken transfer not having been repaid yet. Crucially, when asked to provide evidence of this alleged transaction, Okada repeatedly refused to present the transaction details or the account from which it was made to Ishii and Kasagi.
Ishii recounts that Okada eventually provided a partial view of the account, but the specifics of the transaction itself were obscured, leading Ishii to suspect deliberate obfuscation. Kasagi, Ishii’s legal counsel, further highlighted that in such scenarios, a business would typically initiate a transfer reversal with their bank. This standard procedure led Kasagi to express skepticism about Okada’s claim that he was unable to recover the funds.
Complicating matters, Ubgoe’s terms and conditions stipulate that it is the project owner—in this case, Skeleton Crew Studio—not Ubgoe, who is responsible for fulfilling obligations to backers. Ishii admitted he was unaware of this clause when the issues first arose. “I myself didn’t realize that the project owner would bear the responsibility if the collection agency absconded with the funds,” Ishii commented. “I suppose I was acting under the assumption that people were inherently good.”
On a more positive note, the development of Shibuya Scramble Stories is not expected to be further impacted by this financial dispute, as the project’s realization has been secured through support from another company, Toyku Land Corporation. Nevertheless, Ishii remains steadfast in his determination to pursue the matter with Ubgoe and ensure that the full amount owed to the project is ultimately recovered.